Artist: My Bloody Valentine: mp3 download Genre(s): Indie Pop: Pop-Rock Alternative Rock My Bloody Valentine's discography: Isn't Anything Year: 1996 Tracks: 12 Loveless Year: 1991 Tracks: 11 [1990] Tremolo EP Year: 1990 Tracks: 5 Tremolo Year: 1990 Tracks: 4 Glider Year: 1989 Tracks: 4 Ecstasy and Wine Year: 1989 Tracks: 10 You Made Me Realise Year: 1988 Tracks: 5 Peel Session 1988 Year: 1988 Tracks: 4 Instrumental EP Year: 1988 Tracks: 2 Feed Me With Your Kiss Year: 1988 Tracks: 4 Sunny Sundae Smile Year: 1987 Tracks: 4 Live In Manchester 1987 Year: 1987 Tracks: 7 The New Record By My Bloody Valentine Year: 1986 Tracks: 4 Geek! Year: 1986 Tracks: 4 This Is Your Bloody Valentine Year: 1985 Tracks: 7 Manchester Year: Tracks: 8 Loom Year: Tracks: 13 Ka-Bu Club Year: Tracks: 17 John Peel Radio Show Year: Tracks: 4 FM broadcast from 'Clarendon' Year: Tracks: 7 Like the Velvet Underground, Sonic Youth, and the Jesus & Mary Chain before them, My Bloody Valentine redefined what noise meant inside the circumstance of pop songwriting. Led by guitar player Kevin Shields, the grouping released several EPs in the mid-'80s earlier recording the era-defining Isn't Anything in 1988, a record record that incorporated tripping, ethereal melodies of the Cocteau Twins with crushingly loud, shimmering distortion. Though My Bloody Valentine rejected rock & deplume conventions, they didn't subscribe to to the cherished tendencies of anti-rock art-pop bands. Instead, they rode blooming waves of white River dissonance to irregular conclusions, specially since their noise wasn't paralyzing like the typical avant-garde interference rock confect band: it was semitransparent, inkling, and beautiful. Shields was a perfectionist, particularly when it came to recording, as a outstanding deal of My Bloody Valentine's profound was conceived within the studio itself. Nevertheless, the band was known as a redoubtable live stage, regular though they rarely moved, or even looked at the consultation, patch they were onstage. Their infamous lack of movement was branded "shoegazing" by the British music push, and ahead long in that respect were legions of other shoegazers -- Ride, Lush, the Boo Radleys, Chapterhouse, Slowdive -- that, on with the rolling dance-influenced Madchester scene, dominated British indie rock of the late '80s and early '90s. As shoegazing reached its tip in 1991, My Bloody Valentine released Loveless, which stony-broke new sonic anchor and was hailed as a masterpiece. Though the band was poised for a pop breakthrough, it disappeared into the studio and didn't emerge over the succeeding five-spot age, departure behind a legacy that proven deeply influential in the counsel of '90s alternative rock. Born in Queens, New York, Kevin Shields' kinsperson affected to Dubin, Ireland, when he was sextuplet years old. In his teens, he became obsessed with pop music, finally playing in Complex with his childhood quaker Colm O'Ciosoig. In 1984, Shields and O'Ciosoig formed My Bloody Valentine with vocaliser Dave Conway and keyboardist Tina, taking their name from a slasher horror film. The grouping resettled to Berlin, where they released the Birthday Party-influenced EP This Is Your Bloody Valentine on the Tycoon label in 1985 to little posting. The undermentioned year, the band moved to London, where they added bassist Debbie Googe. By the summertime, they had signed to Fever and had released the EP Geek!, which once again was neglected. Later that twelvemonth, the mathematical group touched to Kaledoscope Sound, releasing The New Record by My Bloody Valentine EP, which illustrated a Jesus & Mary Chain influence. The undermentioned year, the band moved to the Primitives' Lazy Records, releasing Cheery Sundae Smile early in the year. That EP was the number one My Bloody Valentine record book to meshing impractical melodies with grinding guitars, simply the deuce EPs that followed in 1987 -- Strawberry Wine and Ecstasy -- were more than focussed and acclaimed. Conway left the band by the end of the class and was replaced by vocalist/guitarist Bilinda Butcher, whose breathy vocals fit the group's evolving sound more befittingly. My Bloody Valentine's new good consolidated with the group's number 1 full-fledged album, 1988's Isn't Anything. Released on Creation Records, Isn't Anything was greeted with enthusiastic reviews in the U.K. music contract and the band's following increased dramatically by the end of the year; in fact, their report had become big enough to attract the attending of Sire/Warner Bros. in the U.S., world Health Organization became the group's American judge. Two other EPs, Feed Me With Your Kiss and You Made Me Realise, were as well quite a pop, and by the source of 1989, bands that based their levelheaded on My Bloody Valentine's droning twirl began to seem. The chemical group retreated to the studio in 1989 to track record its follow-up, which meant that only 1 EP, Glider, was released during that year. By the spring of 1990, it was decorous clear that the followup to Isn't Anything wouldn't be coming into court anytime soon, and reports around Shields' growing perfectionism began to circulate in the U.K. weekly music press. Soon, it became seeming that the band's drawn-out transcription roger Huntington Sessions were incapacitating Creation Records, but the group's hearing was silent passionate contempt the inactiveness: the Tremolo EP was released at the ending of 1990 to considerable acclaim, and managed to climb into the U.K. Top 40. When My Bloody Valentine's second album, Loveless, at long last appeared in late 1991, it was greeted with uniformly first-class reviews and it became a hit within the U.K., arrival number 24 on the charts. In America, the chemical group made meaning inroads, in particular by encouraging Dinosaur Jr. Despite the band's applaud and ontogeny consultation, Loveless didn't sell in numbers to recuperate its reported five hundred,000 dollar transcription cost and Creation dropped the band from their label roster; Creation wouldn't amply recover until 1994, when they sign-language Oasis. My Bloody Valentine gestural with Island and entered the studio apartment at the end of 1992 to track record a new album. In 1993, the chemical group contributed a James Bond cover to a charity compiling. And then...zero happened. Shields built a dwelling house studio with his Island advance and reportedly completed two split albums, just scrapped them both. Often, the studio apartment ran into technological problems. Between 1993 and 1997, both Googe and O'Ciosoig left the band, leaving only Shields and Butcher; after drive a cabriolet for around a yr, Googe formed Snowpony in 1996. There were signs that My Bloody Valentine were emergent from concealing in 1996, when the group contributed to the Wire tribute album Whore and Shields played on Experimental Audio Research's Beyond the Pale. Still, no new My Bloody Valentine material appeared. |
Friday, 5 September 2008
Mp3 music: My Bloody Valentine
Tuesday, 26 August 2008
Jack Osbourne - Osbourne Plans To Revamp Dad Ozzys Image
JACK OSBOURNE is to repair the damage he thinks realness show THE OSBOURNES did to his father OZZY's image by shooting a documentary all about the rocker.
The youngest Osbourne issue reveals he started his latest contrive at the beginning of the year (08) and now has interviews with the principal members of his father's former band Black Sabbath, and other rock greats who wanted to say nice things about the star.
Jack says, "He refuses to do a book, so this is more like a talking bible - a really thorough autobiography.
"I'm trying to paint a realistic picture of who my father is. I think The Osbournes, to a degree, tarnished the public's perception of my pappa as a bit of a gaga, funny, ham-fisted guy. Yeah, my pa can be that cat, but it's not him.
"I think that (The Osbournes) almost damaged who he is as an creative person. My dad's not an idiot, he's nothing short of a genius, in my opinion. He does have huge flaws, and we're nerve-wracking to in truth paint an honest picture of that."
Osbourne hopes to premiere his Ozzy motion picture portrait, called John after his father's real first name, at next year's (09) Ozzfest heavy rock candy festival.
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Saturday, 16 August 2008
New York hopes Rock'n'Roll museum annex will boost tourism
NEW YORK () - New York City is hoping an annex of the Rock and Roll Hall of Fame porta this year will further tourism, as well as commemorate the artists and music venues that formed the city's rock history.
The annex to Cleveland-based Rock and Roll Hall of Fame and Museum is due to open in the art-and-fashion district of SoHo in November, and will characteristic such memorabilia as Bruce Springsteen's first car, a 1957 Chevy Convertible.
It will besides house an original phone booth from the business district music golf-club CBGB where Patti Smith and Ramones played, and have interactive maps highlight venues like Studio 54 and The Hotel Chelsea.
"There very isn't a more fitting spot for this museum than New York, the home town of Hall of Famers like the Velvet Underground, Paul Simon, and Blondie," New York Mayor Michael Bloomberg told reporters on Wednesday.
The museum could help advance tourism to the metropolis, creating jobs in hotels, restaurants and theaters, and cushioning the impact of downturns on Wall Street, Bloomberg said.
A record 46 million visited New York in 2007, and the city's tourism organization NYC & Company is expecting around 47.7 meg this year, despite a slowing economic system.
Singer-songwriter and New York-native Billy Joel, also at the news conference, gave his endorsement.
"I started playing in clubs in New York City at the Gaslight Cafe, The Bitter End, Max's Kansas City, and then had the good fortune to go on and act the former venues in this city," he aforementioned, citing Carnegie Hall, Madison Square Garden and big sports stadiums.
"New York gave me my words and my music, and rock and wheel gave me a place for that music to live."
(Reporting by Ritsuko Ando, editing by Leslie Gevirtz)
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Monday, 30 June 2008
Kanye West - Kanye West Picks Up Two Bet Awards
US hip hop star Kanye West has picked up two Black Entertainment TV (BET) awards.
West won best male hip-hop artist and best collaboration for his song Good Life, with T-Pain.
Best group went to UGK, who also picked up video of the year for their song International Player's Anthem (I Choose You) featuring Outkast.
Other winners at the Los Angeles ceremony included Missy Elliott for best female hip-hop artist, with Alicia Keys and Chris Brown winning the respective R&B categories.
Lil Wayne won the best new rap artist award voted by viewers and claimed he was "blessed" to be in the presence of fellow rapper T-Pain.
Al Green was handed a lifetime achievement award and Quincy Jones was awarded the humanitarian award.
Hip hop artist Sean Diddy Combs also urged attendees at the ceremony to vote for Democrat candidate Barack Obama in the upcoming presidential election.
"If we all register and vote, we will have the first black president in the history of America," he said.
25/06/2008 11:16:56
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Anjunabeats Worldwide
Artist: Anjunabeats Worldwide
Genre(s):
Trance
Discography:
Anjunabeats Worldwide
Year: 2007
Tracks: 4
Angelina Jolie - Sex Is Great For Pregnant Jolie