Mp3 music: My Bloody Valentine

Artist: My Bloody Valentine: mp3 download    Genre(s):  Indie Pop: Pop-Rock Alternative Rock     My Bloody Valentine's discography:      Isn't Anything    Year: 1996    Tracks: 12      Loveless    Year: 1991    Tracks: 11      [1990] Tremolo EP    Year: 1990    Tracks: 5      Tremolo    Year: 1990    Tracks: 4      Glider    Year: 1989    Tracks: 4      Ecstasy and Wine    Year: 1989    Tracks: 10      You Made Me Realise    Year: 1988    Tracks: 5      Peel Session 1988    Year: 1988    Tracks: 4      Instrumental EP    Year: 1988    Tracks: 2      Feed Me With Your Kiss    Year: 1988    Tracks: 4      Sunny Sundae Smile    Year: 1987    Tracks: 4      Live In Manchester 1987    Year: 1987    Tracks: 7      The New Record By My Bloody Valentine    Year: 1986    Tracks: 4      Geek!    Year: 1986    Tracks: 4      This Is Your Bloody Valentine    Year: 1985    Tracks: 7      Manchester    Year:     Tracks: 8      Loom    Year:     Tracks: 13      Ka-Bu Club    Year:     Tracks: 17      John Peel Radio Show    Year:     Tracks: 4      FM broadcast from 'Clarendon'    Year:     Tracks: 7 Like the Velvet Underground, Sonic Youth, and the Jesus & Mary Chain before them, My Bloody Valentine redefined what noise meant inside the circumstance of pop songwriting. Led by guitar player Kevin Shields, the grouping released several EPs in the mid-'80s earlier recording the era-defining Isn't Anything in 1988, a record record that incorporated tripping, ethereal melodies of the Cocteau Twins with crushingly loud, shimmering distortion. Though My Bloody Valentine rejected rock & deplume conventions, they didn't subscribe to to the cherished tendencies of anti-rock art-pop bands. Instead, they rode blooming waves of white River dissonance to irregular conclusions, specially since their noise wasn't paralyzing like the typical avant-garde interference rock confect band: it was semitransparent, inkling, and beautiful. Shields was a perfectionist, particularly when it came to recording, as a outstanding deal of My Bloody Valentine's profound was conceived within the studio itself. Nevertheless, the band was known as a redoubtable live stage, regular though they rarely moved, or even looked at the consultation, patch they were onstage. Their infamous lack of movement was branded "shoegazing" by the British music push, and ahead long in that respect were legions of other shoegazers -- Ride, Lush, the Boo Radleys, Chapterhouse, Slowdive -- that, on with the rolling dance-influenced Madchester scene, dominated British indie rock of the late '80s and early '90s. As shoegazing reached its tip in 1991, My Bloody Valentine released Loveless, which stony-broke new sonic anchor and was hailed as a masterpiece. Though the band was poised for a pop breakthrough, it disappeared into the studio and didn't emerge over the succeeding five-spot age, departure behind a legacy that proven deeply influential in the counsel of '90s alternative rock. Born in Queens, New York, Kevin Shields' kinsperson affected to Dubin, Ireland, when he was sextuplet years old. In his teens, he became obsessed with pop music, finally playing in Complex with his childhood quaker Colm O'Ciosoig. In 1984, Shields and O'Ciosoig formed My Bloody Valentine with vocaliser Dave Conway and keyboardist Tina, taking their name from a slasher horror film. The grouping resettled to Berlin, where they released the Birthday Party-influenced EP This Is Your Bloody Valentine on the Tycoon label in 1985 to little posting. The undermentioned year, the band moved to London, where they added bassist Debbie Googe. By the summertime, they had signed to Fever and had released the EP Geek!, which once again was neglected. Later that twelvemonth, the mathematical group touched to Kaledoscope Sound, releasing The New Record by My Bloody Valentine EP, which illustrated a Jesus & Mary Chain influence. The undermentioned year, the band moved to the Primitives' Lazy Records, releasing Cheery Sundae Smile early in the year. That EP was the number one My Bloody Valentine record book to meshing impractical melodies with grinding guitars, simply the deuce EPs that followed in 1987 -- Strawberry Wine and Ecstasy -- were more than focussed and acclaimed. Conway left the band by the end of the class and was replaced by vocalist/guitarist Bilinda Butcher, whose breathy vocals fit the group's evolving sound more befittingly. My Bloody Valentine's new good consolidated with the group's number 1 full-fledged album, 1988's Isn't Anything. Released on Creation Records, Isn't Anything was greeted with enthusiastic reviews in the U.K. music contract and the band's following increased dramatically by the end of the year; in fact, their report had become big enough to attract the attending of Sire/Warner Bros. in the U.S., world Health Organization became the group's American judge. Two other EPs, Feed Me With Your Kiss and You Made Me Realise, were as well quite a pop, and by the source of 1989, bands that based their levelheaded on My Bloody Valentine's droning twirl began to seem. The chemical group retreated to the studio in 1989 to track record its follow-up, which meant that only 1 EP, Glider, was released during that year. By the spring of 1990, it was decorous clear that the followup to Isn't Anything wouldn't be coming into court anytime soon, and reports around Shields' growing perfectionism began to circulate in the U.K. weekly music press. Soon, it became seeming that the band's drawn-out transcription roger Huntington Sessions were incapacitating Creation Records, but the group's hearing was silent passionate contempt the inactiveness: the Tremolo EP was released at the ending of 1990 to considerable acclaim, and managed to climb into the U.K. Top 40. When My Bloody Valentine's second album, Loveless, at long last appeared in late 1991, it was greeted with uniformly first-class reviews and it became a hit within the U.K., arrival number 24 on the charts. In America, the chemical group made meaning inroads, in particular by encouraging Dinosaur Jr. Despite the band's applaud and ontogeny consultation, Loveless didn't sell in numbers to recuperate its reported five hundred,000 dollar transcription cost and Creation dropped the band from their label roster; Creation wouldn't amply recover until 1994, when they sign-language Oasis. My Bloody Valentine gestural with Island and entered the studio apartment at the end of 1992 to track record a new album. In 1993, the chemical group contributed a James Bond cover to a charity compiling. And then...zero happened. Shields built a dwelling house studio with his Island advance and reportedly completed two split albums, just scrapped them both. Often, the studio apartment ran into technological problems. Between 1993 and 1997, both Googe and O'Ciosoig left the band, leaving only Shields and Butcher; after drive a cabriolet for around a yr, Googe formed Snowpony in 1996. There were signs that My Bloody Valentine were emergent from concealing in 1996, when the group contributed to the Wire tribute album Whore and Shields played on Experimental Audio Research's Beyond the Pale. Still, no new My Bloody Valentine material appeared.